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<front><journal-meta><journal-title-group><journal-title>Archiwum Filozofii Prawa i Filozofii Spolecznej</journal-title></journal-title-group><issn>2082-3304</issn></journal-meta><article-meta><title-group><article-title>Jurisprudence Popularized: Between Law, Literature, and Film</article-title></title-group><contrib-group><contrib contrib-type="author"><name><surname>Marta Dubowska</surname></name></contrib></contrib-group><article-id pub-id-type="doi">10.36280/AFPiFS.2021.1.21</article-id><volume>26</volume><issue>1</issue><pub-date><year>2021</year></pub-date><fpage>21</fpage><lpage>32</lpage><abstract><p>In this paper I discuss the apparent similarities between the “literate approach” and the aspiring “visual media approach”. Then, I scrutinize arguments for utility of the second approach. It seems that even though both approaches are founded on similar humanistic considerations, they are nonetheless separate positions; thus the need to justify the application of the second approach independently of the first. As an important task in due course I consider debunking the arguments in support of accusations of the “law and film” movement of being a threat to law and its legitimacy (as related to the “law going pop” argument by Richard K. Sherwin).</p></abstract><kwd-group><kwd>law and literature</kwd><kwd>law and film</kwd><kwd>law and popular culture</kwd><kwd>narrative</kwd><kwd>jurisprudence Language: English</kwd></kwd-group></article-meta></front><body /></article>