University of Wrocław

Dr Mateusz Wojtanowski

University of Wrocław

Abstrakt w języku polskim: The subject of this article is Gustav Klimt’s Jurisprudenz, a work intended as part of a larger exhibition of paintings depicting specific fields of knowledge. In contrast to the prevailing interpretation of the work in question as an expression of the artist’s personal sense of having been wronged, the authors of this article propose an alternative perspective, suggesting that the image carries a valuable message for legal discourse. As they argue, the image in question makes it possible to identify a potential way of improving the practice of law by reducing claims on it. In terms of the axiological perspective of the considerations, the article is located within the liberal democratic tradition. The article has an interdisciplinary character as Jurisprudence is interpreted from the perspective of art history and legal philosophy.

Słowa kluczowe: Gustav Klimt, Jurisprudenz, art history, philosophy of law, claims to law, aesthetics of law

Język artykułu: polski

Opublikowano: Numer 2(43)/2025, s. 58-79.

DOI: https://doi.org/10.36280/AFPiFS.2025.2.58

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Liczba ściągnięć: 150

Tekst jest dostępny na licencji Creative Commons Uznanie autorstwa 4.0 Międzynarodowe.