Jagiellonian University

English abstract: In this article, I analyse Legislative Theatre from a socio-legal perspective, for the first time in reflections on this topic. By analysing the context of participatory processes, I outline the background for Legislative Theatre, where participation or its manifestations play a significant role. In the article, I both present the origins of Legislative Theatre – as a process used to generate ideas for legal amendments or their implementation – and compare the original assumptions with contemporary challenges or contexts important for legal scholarship. The article focuses on an analysis of the original assumptions of Legislative Theatre, confronting and comparing them, where necessary, with the contemporary approach. At the same time, I claim that Legislative Theatre, despite its name, should be understood in terms of participation, rather than legislation, in particular the ambition to influence the legislative process (initiative). These considerations are one of the first attempts to look at Legislative Theatre as a potentially important theme for both academics and practitioners, for both actors and audiences (if any) of legal systems. At the same time, they are an attempt to embed Legislative Theatre as a theme for a wider reflection of legal scholars, including Polish ones.

Key words: socially engaged theatre, participation, Legislative Theatre, legislation, law

Language: polish

Published: Number 1(46)/2026, pp. 77–95.

DOI: https://doi.org/10.36280/AFPiFS.2026.1.77

Number of downloads: 61

This text is licensed under a Creative Commons Attribution 4.0 International License.

Jagiellonian University in Kraków, Poland

English abstract: The paper is devoted to the notion of public participation and an attempt to propose a slightly different understanding and approach to this than usual. The author acknowledges the potential of theatrical methods, especially the proposal of A. Boal, the Legislative Theatre, whereby the theatre is used to create proposals for legislation, bringing additional value to the participation process. The LT is a point of reference, but the following reflections refer to theatre and performance in a more general sense. The article focuses on the corelations between theatre and different relevant fields of social activity to determine and present potential benefits of using theatre in the process of participation. It is to present a preliminary review of relevant ideas that can stimulate future reflection about theatricalizing participation, rather than presenting a direct and comprehensive proposal.

Keywords: public participation, law, community, politics, legislative theatre, therapy, protest

Language: English

Published: Number 2(35)/2023, pp. 5-19.

DOI: https://doi.org/10.36280//AFPiFS.2023.2.5

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Number of downloads: 362

This text is licensed under a Creative Commons Attribution – Non Commercial – No Derivative Works 4.0 International License.